Tag Archive for 'Graffiti'

…1333 Minna is ready for Fall?

1333 Minna

1333 Minna has been featured on DYH before, but with the release of their Fall line, I figured it was worth a second look.

1333 Minna Hats

With artists like Reyes, Steel, Retna, The Mac, Amanda Lynn, Ewok, Norm, Belsky, Dylan Maddux, Who Cares and Gaussoin making up The Collective, 1333 Minna is bringing together some of the top names in the world of graffiti, and letting them free in the world of design.

Plus, with Amanda Lynn as the first female artist to join the collection, 1333 Minna now also features purses and scarves as they continue to expand their offerings.

[1333 Minna]

[Via: Juxtapoz]

…It’s Website Wednesday: StreetArtLocator?

StreetArtLocator

The StreetArtLocator (v2) helps you locate street art near you. (Considering the name, the obviousness of that statement is not lost on me…)

With specific tags for graffiti, galleries, paintings, stickers, stencils, sculptures, and installations, it’s a Google Map powered guide to the beautiful art that’s all around you for controversially public consumption.

Just click on your area to see both a location and a picture of the street art that has been spotted and documented. Then, if you’re out and about and come across something that you’d like to share, just snap a pic and add it to the database to help those around you enjoy your find as well.

[StreetArtLocator]

[Via: Juxtapoz]

…Bomb It explores graffiti?

Bomb It

Bomb It “is the explosive new documentary from award-winning director Jon Reiss investigating the most subversive and controversial art form currently shaping international youth culture: graffiti”.

    Through interviews and guerilla footage of graffiti writers in action on 5 continents, Bomb It tells the story of graffiti from its origins in prehistoric cave paintings thru its notorious explosion in New York City during the 70’s and 80’s, then follows the flames as they paint the globe. Featuring old school legends and current favorites such as Taki 183, Cornbread, Stay High 149, T-Kid, Cope 2, Zephyr, Revs, Os Gemeos, KET, Chino, Shepard Fairey, Revok, and Mear One. This cutting edge documentary tracks down today’s most innovative and pervasive street artists as they battle for control over the urban visual landscape. You’ll never look at public space the same way again.

Locations include Los Angeles, New York, Philadelphia, San Francisco, Tijuana, London, Paris, Amsterdam, Barcelona, Hamburg, Berlin, Cape Town, São Paulo, and Tokyo, so all the hot spots are covers as well.

Conclusion: If you have even a passing interest in graffiti, its history, its effect, and its current status, then Bomb It looks like a can’t miss film.

[Bomb It]

[Via: Juxtapoz]

…Speakerdog Paper Toys are awesome?

Speakerdog Paper Toys

Speakerdog Paper Toys is a site filled with free paper toys that use two sheets of A4 paper and a bit of patience to make.

The designs were created by Ben the Illustrator and “a wonderful family of graphic designers, graffiti artists and illustrators from around the world” so there should be a design or two for everyone.

(If you like these, then you should also check out Cubeecraft.)

[Speakerdog Paper Toys]

[Ben The Illustrator - Speakerdog Paper Toys]

…It’s TGI Friday: Facebook?

Facebook

DidntYouHear.com is now on Facebook!

In an effort to find new, fun, and creative ways to promote the site, I’ve created a Facebook Page for DidntYouHear.com, and I’d love for you to check it out.

On the page, you’ll find a Facebook version of each post, along with a Discussion Board, a Wall, and a Graffiti area.

Though I’m not entirely sure what this page will become, I figure that it’s a great place for DYH readers to interact, and it can evolve into its own little community in time.

To get things started, I’m going to be doing a special giveaway to anyone who becomes a “Fan” of the page.

To enter, just click “Become a Fan” in the top right of the page, and then next Friday (March 7) I’ll select a random winner from among the fans, and award that person a $10 Amazon Gift Card (or something of equal value if Amazon isn’t exactly your thing).

I’m also looking for feedback, so feel free to contact me directly, or comment either on this post, or on the page with features that you’d like to see, general comments, or anything else that you can think of.

See you there!

[Facebook - DidntYouHear.com]

…Graffiti removal can be art?

Graffiti Removal

Can graffiti removal be considered art?

Some people seem to think so, and have set out to show the world that these unknowing artists are creating works that should be appreciated independently of what they represent, along the same lines as abstract art.

It might take a stretch of the imagination, but there seems to be something to this theory.

[Rodeo Film Company - The Subconscious Art Of Graffiti Removal]

[Flickr - The Secret Art Of Graffiti Removal]

[Via: WebUrbanist]

[Via: WMMNA]

[Photo Via: MikeWaz]

…Facebook isn’t MySpace?

MySpaceBook

When Facebook first arrived, it was great. You used it to talk with your friends, you used it to poke someone if you wanted to say hi but didn’t want to say much else, and you used it to join groups of people with similar interests.

Then, pictures came along, and suddenly, you could even see what your friends were doing.

Everything was great. You could keep in touch with your friends (even the ones half way across the country), there weren’t a lot of ads, and it wasn’t MySpace.

Then, things started to fall apart.

Facebook opened up its API, and in my opinion, the entire site went down the drain (and quickly).

It became a collection of random widgets and wingdings, and I now no longer want to go to the site. I don’t care if a “zombie” friend just bit me; I don’t care what you posted on your friend’s Graffiti wall (that looks like it was made with MS Paint); and I certainly don’t want you to buy me a fake drink.

I just want to see what you did, what you’re doing, and what you’re going to do. Sadly, each day it’s getting harder and harder to do so.

Now, don’t get me wrong. I understand the Mr. Zuckerberg is trying to value his company at $15 Billion (That’s right, billion with a B.), and to do so he’s got to show that it can make money; but I think that at some point along its growth curve, Facebook forgot what made people switch: It wasn’t MySpace.

MySpace was messy and noisy and dirty. Facebook was clean and quiet and simple. You signed on, you sent a few messages, and you were done.

Sadly, applications have ruined all that, and unless Facebook can find a way of monetizing without clutterizing, I think it’s going to be tough times for the Wonder Company. (Though I still think that in the end, Mark is going to make off like a bandit regardless of what happens to the site. Hellooooo billionaire status.)

Thankfully, at least a few people agree. Read/Write Web recently wrote a post titled “Facebook: What If More Is Less?”, and in the post, they spend a majority of the time going over many of the same problems that I have just described.

In essence, Facebook has turned into a love it or hate it site, and the haters are gaining ground.

So what do you think? Has Facebook lost what made it so special, or have I just lost my argument? Let me know below.

[Read/Write Web - Facebook: What If Less Is More?]

[Facebook]

[MySpace]

…Flâneur is live graffiti?

Gould made a stop motion film called Flâneur that brings graffiti to life:

[Via: Boing Boing]

…Audio Bombing is the new graffiti?

Audio Bombing

Audio Bombing is a musical graffiti project that uses magnetic audio tape to transmit tags. By using alternative mediums, audio graffiti can be hidden in places where traditional graffiti cannot. An interesting concept, but I think it’s a bit more artsy then it is street (though I still think Boston would try to dismantle it).

[Audio Bombing]

[Via: We Make Money Not Art]

…You can Flickr anything?

Oh Yes I Can!

Want to make sure your work gets its fair share of Flickr fame? Challenge the Flickrites.

[Flickr - Heather - Oh Yes I Can!]

[Via: UNEASYsilence]




Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 License.